How Black Artists, Dealers, and Collectors Are Boosting the Careers of Their Younger Peers | Artsy

At the Seattle Art Fair in the summer of 2016, the Togolese artist Clay Apenouvon wrapped the booth of Mariane Ibrahim Gallery, a local black-owned contemporary art space, in ripped-up black plastic bags. Inside this installation (entitled Film Noir, 2016) were partially visible works by the gallery’s artists of African descent, including photographs by the African-American self-portraitist Ayana V. Jackson.

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Studio Portraits of African-American People in the Second Half of the 19th Century | Vintage Everyday

In documenting the history and experience of African-Americans, the Simpson collection also records and depicts acts of racism, oppression, and violence; though they are sometimes unpleasant and even shocking, such materials represent significant aspects America’s complicated history.

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