kindrd, Author at KINDR'D

African American Travel, Black Travel, Morocco, MeryAnne Loum-Martin, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, Wriit,

MeryAnne Loum-Martin Is The Only Black Woman to Own and Operate A Hotel In Morocco, and She’s A Bonafide Boss | Essence

Enuma Okoro, Essence MeryAnne Loum-Martin Is The Only Black Woman to Own and Operate A Hotel In Morocco, and She’s A Bonafide Boss It can be an interesting and beautiful thing in life that we rarely end up where we imagined. And often it is the challenges along the way that propel us to discover…

Tim Okamura, African American Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, Wriit,

Striking Portraits Featuring Powerful Women of Color Painted by Artist Tim Okamura | Colossal

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Grace Ebert, Colossal In his portraits of women, Brooklyn-based painter Tim Okamura explores the human relationship to identity. His powerful works largely feature a single black woman in an exceptionally strong pose, with some pieces including natural elements like butterflies and rodents and others using graffiti reminiscent of city landscapes. Originally from Canada, Okamura “investigates identity, the…

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Legacy Russell Appointed Associate Curator at Studio Museum of Harlem | The Network Journal

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Aziz Gueye Adetimirin, The Network Journal Golden, chief curator at the Studio Museum of Harlem, today announced the appointment of Legacy Russell to serve as assistant curator of exhibitions at the Studio Museum. Her experience is in organizing exhibitions and events, writing for diverse audiences from popular to academic, and, most recently, serving as European…

The Black List, Black List, Queen & Slim, Lena Waithe, Daniel Kaluuya, African American Film, African American Cinema, Black Movies, African American Movies, Black Cinema, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

3 Films We’re Excited to See Developed From The Black List | Colorlines

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Sameer Rao, Colorlines year, hundreds of Hollywood executives nominate their favorite unproduced movie screenplays to appear on The Black List. The 2018 list debuted yesterday (December 17) via a funny short, “The Last Days of TJ Scraggs”: The clip stars Paul Scheer (“The League”) as a brash entertainment agent who knocks himself unconscious in 1998…

Esther Jones, Baby Esther, Betty Boop, African American History, Black History, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Tracing the Real Betty Boop back to a Notorious Bootlegger’s Club in 1920s Harlem | Messy Nessy Chic

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Natalie McKane, Messy Nessy Chic 1920’s in Paris may have been roaring, but over in Harlem, they were stomping. New York’s playground was not short of an underground boozer, but there was one place in particular that dominated the scene; The Cotton Club. Patron Saint of jazz, notorious bootlegging and the home of the original…

Carrie Mae Weems, African American Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

(2014) Testimony of a Cleareyed Witness | The New York Times

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Holland Cotter The New York Times Carrie Mae Weems, A 2002 self-portrait, taken in Santiago de Cuba, is in a show of her work at the Guggenheim Museum. Credit Collection of the artist, Jack Shainman Gallery, New York. Featured Image and class are still the great divides in American culture, and few artists have surveyed…

Dawoud Bey, African American Lives, Black Lives, African American Communities, Black Communities, African American Art, Black Art, African American Photography, Black Photography, African American Photojournalism, Black Photojournalism, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Dawoud Bey: 40 Years of Photos Affirming the ‘Lives of Ordinary Black People’ | The New York Times

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Fayemi Shakur , The New York Times The Woman in the Light, Harlem, New York City, 1980. From the “Small Camera Work” series. Credit Dawoud Bey/University of Texas Press. Featured Image a socially conscious teenager, Dawoud Bey was intrigued by the controversy over the Metropolitan Museum of Art’s 1969 exhibition, “Harlem on My Mind: Cultural…

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Kara Walker Invites You to a Public Hanging | Hyperallergic

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Tom Micchelli , Hyperallergic Kara Walker, “African/American” (1998), linoleum cut on paper, 46.25 x 60.5 inches, lent by the Metropolitan Museum of Art, gift of the Peter Norton Family Foundation. Featured Image , New Jersey — “Virginia’s Lynch Mob” (1998), the centerpiece of Kara Walker: Virginia’s Lynch Mob and Other Works, organized by guest curator…

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Inside Afrochella, Ghana’s Answer To Coachella | Travel Noire

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Rachel George , Travel Noire A festivalgoer during the 2018 Coachella Valley Music And Arts Festival at the Empire Polo Field on April 22, 2018 in Indio, California. Featured Image performers, food, and attractions, Afrochella is not so different from California’s annual Coachella Festival, except for one very important note: it’s created by black people…

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How Mexican and Chicanx Activism Flourished in 20th-Century Los Angeles | Hyperallergic

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Abe Ahn , Hyperallergic Installation view, Regeneración journals (1970–1975). Featured Image ANGELES — “La constitución ha muerto” (The constitution is dead), declared a photograph published in a 1903 edition of the satirical Mexico City newspaper El Hijo del Ahuizote. In the image, funeral wreaths and Mexican flags hang from the periodical’s offices, while staff writers…